This visual ethnography explores how difficult heritage travels, settles, and acquires new meanings through mobility and emplacement. Through a series of photographs taken and acquired during ethnographic fieldwork in Toronto (Canada) and Berlin (Germany), the exhibition follows the journeys of the Statue of a Girl of Peace, a memorial dedicated to the victims of the Japanese military sexual slavery system during the Asia-Pacific War. Although the monument is replicated across different locations retaining a recognisable material form, the replicas occupy very different social, political, and spatial environments. The exhibition documents not only the monuments themselves but also their surroundings, traces of care and maintenance, offerings left by visitors, signs of activism, and everyday interactions that shape their presence within local communities. Rather than presenting the statues as fixed objects, the exhibition approaches them as mobile heritage. Through images of emplacement, visibility, concealment, accessibility, and public engagement, it examines how memories travel across borders while becoming embedded within specific local landscapes. The photographs reveal how difficult heritage is continually negotiated through relationships between people, places, institutions, and material environments.

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By placing Toronto and Berlin in dialogue, the exhibition invites viewers to reflect on the movement of memory, the politics of recognition, and the ways in which heritage becomes rooted in new cultural contexts. The project contributes to broader discussions on mobility, diaspora, public memory, and the transnational circulation of difficult heritage.